Rex Reed

Rex Reed
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
2/4 70% The Standoff at Sparrow Creek (2019) There's nothing new in The Standoff at Sparrow Creek except the title.‐ Observer
Read More | Posted Jan 17, 2019
1/4 40% The Upside (2019) It runs two hours and five minutes, which in my opinion is two hours too long.‐ Observer
Read More | Posted Jan 11, 2019
1/4 56% Ashes in the Snow (2019) Filmmakers never seem to run out of footnotes to history during World War II. This one is better served in the pages of a novel. It doesn't work on film.‐ Observer
Read More | Posted Jan 11, 2019
4/4 93% Stan & Ollie (2018) It is aided immeasurably by the triumphant performances of the two stars, Steve Coogan as Stan and John C. Reilly as Ollie, who manage to avoid caricature while giving 150 percent of themselves from first to final reel.‐ Observer
Read More | Posted Jan 7, 2019
0/4 39% State Like Sleep (2019) About as thrilling as a power failure in Antarctica.‐ Observer
Read More | Posted Jan 4, 2019
3/4 72% On the Basis of Sex (2019) I raise a glass to any movie about her, no matter how they tell her story. Long may she reign.‐ Observer
Read More | Posted Dec 24, 2018
3/4 93% Cold War (Zimna wojna) (2018) Although it leaves you wanting more, Cold War is a film that is both illuminating and haunting at the same time.‐ Observer
Read More | Posted Dec 21, 2018
0/4 38% Second Act (2018) Second Act has nothing to recommend it, even as a temporary refuge from traffic gridlock.‐ Observer
Read More | Posted Dec 20, 2018
3/4 79% Mary Poppins Returns (2018) The movie is full of joyous, unexpected things to applaud...‐ Observer
Read More | Posted Dec 19, 2018
3/4 95% If Beale Street Could Talk (2019) If Beale Street Could Talk is better than Moonlight, but that is faint praise indeed.‐ Observer
Read More | Posted Dec 17, 2018
3/4 66% The Mule (2018) There's nothing heroic about Earl, but in Eastwood's 38th film as a director, he makes the character a felonious centerpiece as likable as anyone could ever imagine.‐ Observer
Read More | Posted Dec 14, 2018
1/4 64% Bird Box (2018) The only real shock in this one is that it stars Sandra Bullock, who should know better.‐ Observer
Read More | Posted Dec 14, 2018
2/4 46% Swimming with Men (2018) There is nothing remarkable or consequential about it, but it's not a waste of time, either.‐ Observer
Read More | Posted Dec 10, 2018
3/4 63% Mary Queen of Scots (2018) The movie has numerous faults (especially with a number of literary liberties) but is consistently polished enough to keep history buffs fascinated.‐ Observer
Read More | Posted Dec 10, 2018
4/4 79% Ben is Back (2018) Ben Is Back doesn't sugar-coat the harsh reality of this family's struggle, but like the year's other astringent family drug drama Beautiful Boy, frames it with an abundance of life, love and hope.‐ Observer
Read More | Posted Dec 7, 2018
1/4 No Score Yet Head Full of Honey (2018) Exaggerated, infuriating, and about as funny as a root canal without anesthesia.‐ Observer
Read More | Posted Nov 30, 2018
2/4 74% The Mercy (2018) It all seems doomed from the start-and never in the same throat-gripping class with such fateful horrors-at-sea epics as Adrift or Robert Redford's All is Lost.‐ Observer
Read More | Posted Nov 30, 2018
3/4 94% The Favourite (2018) Regardless of your tolerance for Restoration jabberwocky, you will be forced to admit the performance by Olivia Colman as England's dim-witted Queen Anne is a masterpiece of madness.‐ Observer
Read More | Posted Nov 20, 2018
3/4 100% The World Before Your Feet (2018) New York, New York, it's a wonderful town. This movie proves it like none other.‐ Observer
Read More | Posted Nov 20, 2018
4/4 81% Green Book (2018) Witty and warm as cashmere, Green Book is a two-hander in which both stars soar with humor and heart.‐ Observer
Read More | Posted Nov 16, 2018
2/4 90% Widows (2018) Other reviewers talk about the film's style and originality, but I found no evidence of either (unless you consider endless shots of reflections in mirrors and glass store windows "style").‐ Observer
Read More | Posted Nov 16, 2018
2.5/4 82% Instant Family (2018) Add up the ingredients and you get a mostly enjoyable dog-eared formula for escapist entertainment without critical perception.‐ Observer
Read More | Posted Nov 16, 2018
4/4 59% The Front Runner (2018) This is a responsible, educated, sophisticated and often deeply witty film about politics and journalistic responsibility in the tradition of All the President's Men, The Post and The Ides of March.‐ Observer
Read More | Posted Nov 9, 2018
1/4 50% Postcards From London (2018) Aside from bad filmmaking, I don't know what any of this means.‐ Observer
Read More | Posted Nov 9, 2018
2/4 19% Here and Now (Blue Night) (2018) Here and Now is deliberately slow, hoping to provide viewers a chance to share the torturous mental anguish Vivienne is going through. The process only succeeds in boring us to death.‐ Observer
Read More | Posted Nov 9, 2018
1/4 64% Weightless (2018) The nicest thing that can be said about this demure little Canadian trifle is that it's a film that finally gives the gifted, self-assured and sadly underrated Alessandro Nivola a leading role.‐ Observer
Read More | Posted Nov 8, 2018
4/4 80% Boy Erased (2018) The no-fuss directness, no-frills honesty and deeply committed talent and conviction of 22-year-old Lucas Hedges infuses Boy Erased with a passion and decency it might lack without him.‐ Observer
Read More | Posted Nov 2, 2018
3/4 89% A Private War (2018) This is a movie worth seeing-a noble effort to polish the image of a superior journalist hell-bent on bringing the truth to the world.‐ Observer
Read More | Posted Nov 1, 2018
1/4 44% Don't Go (2018) Ennui sets in early in Don't Go, making you wish it would.‐ Observer
Read More | Posted Oct 27, 2018
3/4 37% Viper Club (2018) The film eschews a Hollywood happy ending in favor of bone-chilling reality, which makes Viper Club doubly relevant amid current headlines.‐ Observer
Read More | Posted Oct 27, 2018
2/4 79% Halloween (2018) What once seemed creepy now just seems campy. I'm sorry to report that in the 2018 Halloween, the howls sound more like giggles than screams.‐ Observer
Read More | Posted Oct 18, 2018
4/4 98% Can You Ever Forgive Me? (2018) [McCarthy] completely disappears into the character and personality of Lee Israel-age, stringy masculine hair, sardonic grimace, reading glasses and all-with a range I never dreamed possible.‐ Observer
Read More | Posted Oct 18, 2018
3/4 68% Beautiful Boy (2018) Heartbreaking, honest and profoundly truthful, even if flawed by a handful of unfortunate cliches.‐ Observer
Read More | Posted Oct 12, 2018
1/4 74% Bad Times at the El Royale (2018) Depraved, self-indulgent trash that is a narrative mess and, at nearly two-and-a-half hours in length, seems to go on forever.‐ Observer
Read More | Posted Oct 12, 2018
3/4 88% First Man (2018) What the movie does do is give you a hair-raising feeling of what it really felt like inside the space craft, where every hour was life-threatening and the outcome was always perilous.‐ Observer
Read More | Posted Oct 12, 2018
0/4 10% I Still See You (2018) Kids with little experience and no discernible talent keep turning out bombs with alarming frequency. Add a dreary, post-apocalyptic mishap called I Still See You to the list.‐ Observer
Read More | Posted Oct 12, 2018
2/4 50% Trouble (2018) Movies that have no reason to exist seem to be opening on a weekly basis. On its way to home video, Trouble, I'm sorry to say, is one of them.‐ Observer
Read More | Posted Oct 8, 2018
3/4 89% Studio 54 (2018) Juicy fodder for the "in" crowd that lived through it, as well as the outsiders who heard about it but couldn't get in.‐ Observer
Read More | Posted Oct 8, 2018
3.5/4 96% Roma (2018) I was hypnotized and drawn in by the skill and heart of everyone involved.‐ Observer
Read More | Posted Oct 5, 2018
3/4 90% A Star Is Born (2018) The high-voltage ghost of Judy Garland haunts every frame and illuminates every shadow in the film, and Lady Gaga seems to know it.‐ Observer
Read More | Posted Oct 5, 2018
1/4 87% All About Nina (2018) Despite a lively performance by Mary Elizabeth Winstead, Nina is a big bore with a small talent and a one-track mind.‐ Observer
Read More | Posted Sep 30, 2018
1/4 85% High Life (2019) Baffling, non-linear to the point of near-schizophrenia, and despite all of the computer technology, sadly resistant to any kind of production design you could call innovative.‐ Observer
Read More | Posted Sep 28, 2018
4/4 92% The Old Man & the Gun (2018) Warm and funny and mesmerizing in its understated perfection, The Old Man & the Gun is a splendid experience.‐ Observer
Read More | Posted Sep 27, 2018
3/4 82% Fahrenheit 11/9 (2018) It might not be Michael Moore's most cogent film, but Fahrenheit 11/9 is the inspired work of a true American purist, a cautionary warning about how to end a dictatorship and return America to the dream of patriotism.‐ Observer
Read More | Posted Sep 24, 2018
4/4 99% Tea With the Dames (Nothing Like a Dame) (2018) Call it a gabfest. Label it a talkathon. But Tea with the Dames, directed by Roger Michell, is so much more.‐ Observer
Read More | Posted Sep 24, 2018
4/4 87% Colette (2018) Don't just absorb it. Let it absorb you, like absinthe.‐ Observer
Read More | Posted Sep 21, 2018
2/4 85% The Sisters Brothers (2018) Of course it tries to be fresh and different, functioning more as a black-comedy character study than an action thriller. Mostly it's a misguided mess.‐ Observer
Read More | Posted Sep 20, 2018
0/4 60% White Boy Rick (2018) I can think of no reason any bright, witty or halfway sophisticated movie lover-or otherwise normal person-would want to spend 10 minutes with any of the criminal degenerates in this worthless load of crap.‐ Observer
Read More | Posted Sep 18, 2018
3/4 72% The Children Act (2018) Equally comfortable on both stage and screen, Emma Thompson brings an added value to the mix that literally saves the film and keeps the viewer awake.‐ Observer
Read More | Posted Sep 14, 2018
3.5/4 43% Where Hands Touch (2018) Where Hands Touch is a coming of age story, a saga of war, and a heart-rending love story about a forbidden romance that defied the odds against survival in a living hell.‐ Observer
Read More | Posted Sep 14, 2018